This is a film that has grown on me over time. I was underwhelmed on my initial 2004 theatrical viewing (a week after it opened) but appreciate it more now.
Part
of that comes from seeing it the first time as mostly a Predator fan, but getting
more into the Alien franchise since then.
The
Yautjas really got hosed in this one.
Note
the initial name of the video games and comic books:
“Aliens
Vs. Predator”
Plural
Alien, singular Predator.
The
whole point of Aliens is they’re the hive minded swarm that overwhelms. Having
one Xenomorph take out multiple Yautja was plain silly.
"Plain sily" happened a lot in this movie.
"Plain sily" happened a lot in this movie.
Using a penguin jump scare instead of a cat springs to mind.
I think the funniest line in the film came from my sister, when one of the intrepid team consulted their super GPS watch to proclaim they were directly under the room they started in.
Kim then chimed in, “I know, because there’s the flashlight you dropped in the
last scene!”
Trying
to make something inspired by Lovercraft's The Mountains of Madness featuring creatures from these two gore filled franchises PG-13 was also a big “plain silly” but 2004 was the middle of the
period trying to make a bunch of these violent franchises more “Family
Accessible” by toning them down.
Heathens.
The
big reason this film moved up in my estimation is the openness of Alec Gillis
and Tom Woodruff Jr. of Amalgamated Dynamics.
They are THE Alien Effects guys, breaking off on their own from Stan
Winston after Aliens , then working on
the following two sequels, and both Alien Vs. Predator films. Tom’s been an Alien more than anyone
else. Their interviews are all over the
Blu Ray Quadrilogy boxed set, Alien: The
Archive - the giant coffee table book
about the franchise- plus
commentaries and featurettes on the AvP films and a separate book for each of
them. (Books they plug endlessly, and hysterically, in the commentaries.) I'm sure
this information will help steer the “little me"s of today interested in
practical special effects.
Here’s
hoping those kids don’t also face a digital revolution to crush their dreams.
The tales they spin are eye opening about the creative process, and in some cases rival the films' scripts for drama and entertainment. Accidentally blowing the queen Alien's teeth into the piles of fake ice shards, and travelling through customs in the Czech Republic with the required ingredients for volumes of Predator blood (cases of glow sticks and oil barrels full of KY Jelly) spring to mind.
The tales they spin are eye opening about the creative process, and in some cases rival the films' scripts for drama and entertainment. Accidentally blowing the queen Alien's teeth into the piles of fake ice shards, and travelling through customs in the Czech Republic with the required ingredients for volumes of Predator blood (cases of glow sticks and oil barrels full of KY Jelly) spring to mind.
The
information those two guys provided made me view this more as an Alien film,
and it works well as that. “Grid Alien”
is one of the first Xenomorphs that really stands out with an individual
personality and actions.
It’s also the only other time there a giant rampaging Alien Queen scene on film.
(Resurrection had one, but it didn't rampage much.)
It’s also the only other time there a giant rampaging Alien Queen scene on film.
(Resurrection had one, but it didn't rampage much.)
Lance
Henriksen playing “Charles Bishop Weyland,” the human basis for the Bishop
android is a great nod to the franchise as well. The cast isn’t as awesome as a standard
Predator or Alien film, but they’re a good bunch with a mix of those the
audience is sad to see, and glad to see wiped out by the warring extraterrestrials. Sanaa Lathan as Lex follows the leads of
Ellen Ripley, and Machiko Noguchi admirably.
It
is critical to get the “unrated cut” for this movie. Getting to see the full chestburster scene is
nice, but not the key reason. Actually there isn’t much more added action and
gore, since it was always foolishly conceived as PG-13. The reason that cut is key is for a single
line of dialogue identifying the Yautja as teenagers on their first hunt.
Frankly,
that is the only justification for how badly they fare against the Xenomorphs. Overall, the shifting wall traps were cool
and added suspense, but it made it much more of a humans versus creatures film
than Aliens versus Predators.
On
the Predator Positive side, the flashback to the pyramid top battle was simply
epic, and I think we all wish the entire movie was more like that.
Some
of the one on one Yautja-Xenomorph battles pitting the power and technology of one
against the natural weapons of the other were pretty awesome as well.
The
bonding of Lex and Scar was a great call back to the classic comic stories, and
the final team up against the queen was insane.
The
key problems on the Predator side all came from inexperience.
Ian
Whyte did admirably for his initial turn in the suit, but as the first actor
after Kevin Peter Hall, it was an incredibly tough act to follow. Being in
direct comparison to a natural looking Tom Woodruff Jr. Alien didn’t help.
Due
to shooting schedules and location, Ian was the only “big guy” available for
the Yautja, the others in group shots used forced perspective which dimmed the awesomeness
a bit.
Finally,
was the inexplicable idea that since Scar was helping Lex it somehow made him
the “Romantic Lead.” The normally spot on instincts of the Amalgamated Dynamics
guys faltered and led them to modify the Predator mouth, eyes and hair to make
him more human and attractive looking.
A
good rule of thumb is to scrap any idea that involves the notion, “We should
change Stan Winston’s awesomely scary monster design to make it look more like Fabio.”
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