“The
Wink of an Eye”
Air
Date: November 29, 1968
Kirk and Spock are obviously
still suffering after effects from the Platonian mind control. Spock acts far more stilted and Vulcan than
usual, and Kirk’s libido is stuck well beyond maximum overdrive. Unless he's overcompensating for losing Miramanee.
It is lucky that the
Scalosians move too fast to be seen. Any
lingering look at this episode, which veers away from EC Horror comics towards
a 1950’s “B” movie ethic, would reveal plot holes big enough to fly the
Fesarius through.
If their lives are
accelerated that far beyond normal, why the need for the dryer vent / button
phone technology to put the crew in suspended animation?
How could Deela have
known anything the Captain said before accelerating him when communication
between the different speeds is impossible?
Shouldn’t Kirk’s nearly
frostbitten hands have counted as “cellular damage?”
Most importantly…
Using an amorous
rendezvous as a means to distract aliens hell bent on draining the lives of
your entire command is a questionable plan from the start.
However, consider that
it took what appeared to be several hours for “normal time” Scotty to walk from
the door of the transporter room to the console from the point of view of the
accelerated Scalosians.
I’d really like to know
what brand of coffee the Captain drinks.
On the technological
front, this story provides further proof that along with no means of
transmitting text, there are also no hard drives on the Enterprise. All data is
kept in those little multicolored cards.
Looks like the floppy
disk will live again in the Twenty Third Century.
“The
Empath”
Air
Date: December 6, 1968
Mom
Title: “Gem”
The Big Three beam down
alone again, this time to collect some researchers from Minara II orbiting a
star that’s about to supernova. That’s
the Federation, always cutting it close when it comes to cataclysm.
Our heroes are long
range teleported deep underground onto the set of a minimalist, experimental,
mime theater. Amazingly, this inane
setup leads to some compelling storytelling.
The success of this episode owes much to the emotional pantomime of Kathryn Hays, and the excellent acting skills of the Big Three, highlighting the bonds of friendship they’ve created and cultivated over the duration of the show.
The success of this episode owes much to the emotional pantomime of Kathryn Hays, and the excellent acting skills of the Big Three, highlighting the bonds of friendship they’ve created and cultivated over the duration of the show.
Bonus points go to
DeForest Kelley for delivering the following lines with conviction and believability
as he pulls a name for their mute companion out of his medical posterior.
Bones, “Well, I don't
know about you, but I'm going to call her Gem.”
Spock, “Gem, Doctor? "
Bones, “Well, that's better than 'Hey, you.’”
Spock, “Gem, Doctor? "
Bones, “Well, that's better than 'Hey, you.’”
Even with his usual
methods of trying to attack before trying to escape, Kirk manages to teach some
lessons on compassion. He’s
multi-faceted.
The tale isn’t a hundred
percent focused on the Big Three, and we get some rare Third Season glimpses at
Scotty and Sulu, demonstrating why they are known as the best in the fleet at
their respective positions.
The Vians (which look a
great deal like the Talosians, even though they aren't telepathic, or at least pretend not to be. They do have technology we’ve seen over and over
again from “way better than you” races) raise a question of this extra galactic
invasion to a head. In other episodes
there are suggestions of two groups of beings that have evolved far beyond
humans: one which has harmful or domineering intents and the other with guiding
and protective goals.
As we see the Vians
deciding whether or not to rescue a doomed planet by using horrifically
damaging mental and physical torture in order to generate stronger feelings of
self-sacrifice than self-preservation, we get an answer. It doesn’t matter what their claimed goals
are, because they’re all encouraging valuing the group over the individual
–fostering a “the society comes first” ideal- and they all have a callous
disregard for the suffering of those “beneath them.”
Good thing the heroic
crew of the Enterprise stands in their way.
That kind of help, the galaxy doesn’t need.
“Elaan
of Troyus”
December
20, 1968
Mom
Title: “Love Potion Tears”
Hey, its My Fair Lady meets the Iliad, with a dash of Tristan and Isolde thrown in.
OK, so they’re stealing plots, but at least the combination is creative.
OK, so they’re stealing plots, but at least the combination is creative.
Although, based on how The Dohlman dresses, and how Kirk acts in the other episodes this season, I’m not sure she
really needed them. Especially since he
was in the room during the explanation of how the tears worked. I think he was
just looking for an excuse...Definitely overcompensating.
This is especially true
considering he broke the unbreakable love potion due to “devotion to his
ship.” Yeah, it was the tears that had
him back in his cabin, charging her dilithium crystals…that’s it.
Also on the subject of
those tears: Doctor McCoy seems overly enthused about the thought of being
“driven wild.”
You old dog, you.
Security on the
Enterprise is up to its usual standards as a large, belligerent, armed guard is
allowed to wander around the ship, and into engineering completely unmonitored.
Then again, why blame
laxes on one ship, when the Federation itself has a member that is a sub light
capable warmongering monarchy who operates diplomacy via forced marriages.
I get the feeling someone
much higher up the chain knew about the dilithium on Elas and didn’t tell
anyone. They merely sent down orders to put up with their crap no matter what.
Typical high level manager “need to know” thinking.
Hey look, it’s not only
the human ambassadors who are annoying, useless ninnies. With a war like
culture, and bluish makeup anyway, you have to wonder why they didn’t bring
back the Andorians? Maybe they ran out
of antennae?
Justifiably given the
above, Kirk treats everyone involved in this assignment like he did Mr. Lurry
back on Station K-7.
The whole mission is
against everything the Captain believes in, but his job is on the line and he
dislikes all parties involved.
Perhaps he did know about the dilithium, and just kept it a secret to vent his frustration by being entertained by Scotty freaking out over putting those unrefined rocks in “his” engines?
Perhaps he did know about the dilithium, and just kept it a secret to vent his frustration by being entertained by Scotty freaking out over putting those unrefined rocks in “his” engines?
The enhanced special
effects add to the drama with the Klingon attack, and make is glaringly obvious
that the Organians have stopped giving a rat’s patootie.
Maybe they recognize
Mara’s progress from a couple of weeks ago?
Perhaps having yet
another Klingon commander paling in comparison with Kang, Kor and Koloth was
beneath their notice.
More likely, they’re
part of the invaders.
Yes, I do intend to run
with this stupid Andromeda theory as long as I can, pretending there was an
overarching reason for constantly repeating their own ideas makes the sad
petering out of the quality of this great show easier to bear.
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