Usually,
I can easily spew forth all kinds of observations about movies, and then I’ll
agonize trying to come up with a fun title.
I’ve
had this title and a blank page for over a week, and I’m not sure why. Its late enough that some spoilers probably snuck in.
I’ve
spoken about having a limited number of Spider-Man comics, and not being as big a fan
of Mr. Parker as other characters. However, since a majority of those trades were obtained in
Going Out of Business sales of comic book stores during the crash in the Nineties, a
large percentage of what I have are Venom related stories.
My
issues (not comic book issues, personal issues...sorry for the confusion, proceed) may come from the main reasons I really liked the movie Venom were in the ways it deviated from
the comic book Venom, which I also like a great deal, for totally different reasons.
Now that we're all confused, here
are some bullet points:
Hero
or Villain:
Venom
was a bad guy when he started, and stayed that way for a long time. His main goal was trying to eat Spider-man’s
brain, and terrorizing anyone Peter was close to. Except Aunt May of course, she was an “innocent.” Venom slowly morphed into an anti-hero and “lethal
protector” who inflicted Punisher like slaughter on those who threatened the
innocent. Oh, and he still wanted to eat
Spidey.
The
comic book symbiote learned some real heroism when it was bonded with Colonel
Flash Thompson to become Agent Venom.
This showed Marvel’s constant fascination with turning a former villain,
or in this case, two really unpleasant villains, into a sympathetic and
likable good guy and Avenger.
Redemption is a big deal for the Marvel Bullpen. Hawkeye, Black Widow, Scarlet Witch, Quicksilver, Vision, Swordsman, Sandman, Wonder Man, and I’m sure I’m missing a bunch more- all started out fighting Avengers before joining them. Making heroes out of normally difficult to befriend individuals goes all the way back to the start of “the Marvel Age.” Tony Stark was created intentionally to make a hero out of the hated military industrial, corporate rich man in the anti-establishment sixties.
Redemption is a big deal for the Marvel Bullpen. Hawkeye, Black Widow, Scarlet Witch, Quicksilver, Vision, Swordsman, Sandman, Wonder Man, and I’m sure I’m missing a bunch more- all started out fighting Avengers before joining them. Making heroes out of normally difficult to befriend individuals goes all the way back to the start of “the Marvel Age.” Tony Stark was created intentionally to make a hero out of the hated military industrial, corporate rich man in the anti-establishment sixties.
Movie
Venom starts off on, and stays on, the side of right and good the whole time. Even
fighting a group of policemen when cornered, Eddie controlling the Symbiote shows how the combination of the two of them is becoming a hero.
Personalities:
The
film symbiote says many comic book Venomy sounding lines. Eddie’s reactions are not standard comic book
character fare. Instead, they are how a normal sane person would react to the nature
of the Symbiote's requests.
This led to one of the biggest deviations from the source material, and they hid it
incredibly well in the trailers.
Venom
is funny!
The dark humor was the main reason my daughter kept saying, "This is the best movie ever!"
The dark humor was the main reason my daughter kept saying, "This is the best movie ever!"
Eddie’s
panicked reactions as he’s learning what the Symbiote wants and can do makes it
more like an Eighties action/comedy buddy cop movie than a monster film.
Or
maybe a better example is: it’s like Innerspace
but with more head eating.
Besides
being a bad guy in the comics, Eddie is also a big ole jerk. Before becoming Venom, he gets fired for a reporting incorrectly about a super villain's identity and is
disgraced. It was implied the publicity was more important to him than the
facts, and he constantly blames others for his problems.
Tom
Hardy’s Eddie gets fired for going too far in getting evidence against, and being
overzealous at trying to bring down, evil, dangerous, but well connected
corporate bad guys. He still makes
stupid decisions, but they’re stupid in a more noble way.
This
is a big one. From its first release I
was a bigger fan of the black costume than Spidey’s original suit. (I know, “bad geek, no free comics for you.”)
Venom couldn’t exist in the comics (or
cartoons, or the Raimi films) without Spider-man. The Symbiote hated Spider- Man for rejecting
it, and Eddie Brock hated Peter Parker for exposing his false report. However, since Venom is never a villain in the
movie, the separation from Spidey HELPS. With no beloved super-hero that
Venom is trying to devour- he’s almost always fighting bad guys.
His
movement style preserves the more animalistic and fierce wall crawling of the comics, even
without web swinging.
I
do miss the spider logo on his chest though, because it looks awesome. Venom
shares something with Ghost Rider, which may be why they’ve had some great team
ups …one of the main features of the character is: He looks cool! In fact one of the team ups with Ghost Rider was Spirits of Venom, a cool sounding title that lurked around the Marvel office for quite a while before it found a story.
They handled that looking cool thing well on screen.
They handled that looking cool thing well on screen.
The
Villain:
Oh
no! They didn’t use Carnage!
Of
course not. This way they could spend time developing Eddie and the Symbiote
more fully. Carnage takes time to do
right. The time spent developing Drake (Riz Ahmed) as the corporate villain was shared with time developing the world and the plot line. Riot could
be nondescript and come in at the end to add more bang to the final fight.
Michelle
Williams also had time for development as Anne, and their relationship could go
one of several ways as the story progresses in sequels, any of them being satisfying based
on the execution.
I
did keep expecting Hugh Jackman to show up when they showed her though.
Then
I’d imagine the Wolverine/ Venom version of “The Other Side” and wish for A Very Marvel Musical.
Please
help me.
PG-13:
Yes,
Logan was amazingly well done.
Yes,
Venom’s penchant for chomping off people’s noggins like the owl in the Tootsie Pop
commercial could lend itself to an R rating easily.
But
this film should have been PG-13. Venom was
funny, but not in the insanely over the top fourth wall breaking way Deadpool needs to be in order
to work. That would have taken away from the character and story. There needs
to be some horror to Venom. Plus Venom
is supposed to be part of the upcoming “Spider-Verse” whether or not Sony works
Spidey into it.
Sure,
Logan was award worthy, but it was also an ending.
I
guarantee, some ten year old caught Venom
on just the right day, and now Eddie is their favorite superhero.
That’s
how you get into the collective unconscious and build a lasting franchise, you
bond with the kids.
Quotes:
Along
with looking awesome (The only Marvel costume t-shirt I own is a Venom one.)
Venom is inherently quotable.
Contrary to my hopes, Hardy didn’t use his goofy Bane voice for Venom…alas.
The Symbiote did speak in a distinct, memorable, and (in my case) imitate-able way.
I
now have another line I can use when any boys come near my daughter.
It
may have been inspired by other sources…
But
the “To the Pain” bit from The Princess
Bride is too long and requires the other person to participate…
And
Bull’s line from Night Court about Fielding
returning a loan:
“I
know you will, Dan. Because if you don't, I’ll rip off your arms, and legs and
head, and use what’s left as a planter.”
Has too much of Richard Moll’s friendly and fun sound to it.
Has too much of Richard Moll’s friendly and fun sound to it.
Therefore
I’ll stick with:
"We
will eat both of your arms, and then both of your legs,
and
then we will eat your face right off your head.
You
will be this armless, legless, faceless thing, won't you?
Going
down the street like a turd in the wind!"
I
think it’s the face eating part that sells it.
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