This is yet another entry in the “Jeff Has No Idea Why Movies Succeed or Fail” musings.
Frankly, I don't get it at all.
I saw it in the theater three times, bringing different family members and we all had a blast.
The
scenery is absolutely gorgeous, and the score drives through the whole film and
netted Alan Silvestri a Saturn Award.
Granted,
the entire Valerian family demonstrates repeatedly that they have been historically awful at both
planning and execution of monster hunting, but that’s why Van Helsing has
to come in. Beckindale's Anna does better than generations of her ancestors in the span of the film, and carries much of the action.
Roxborough’s
Dracula is completely in command, in a terrifying yet over the top way, that
fits in with being the prince of the undead.
His brides are given a much more actively scary role compared to what are usually much more passive, and lower key creepy additions.
Hensley’s creation of Frankenstein is a cool looking twist on the classic design, and embodies the pathos of the creature. It was good enough to get him cast in Young Frankenstein on Broadway, so it isn't just me this time.
In addition, having two separate versions of
the classic tragic werewolf story keeps the plot going in interesting directions.
This
movie is also the best organic combination of the three classic monsters I've seen (and I've seen many),
making logical connections as to why they’re all in the same film, beyond, “they’re
monsters.”
Kevin
J. O’Connor and David Wenham as Igor ("It's what I do.") and the Q like Friar Carl ("I know what its for!) steal every
scene they are in with darkly humored laughs.
I could do a similar post on another turn of the twentieth century film that is reviled outside my family. My daughter says League of Extraordinary Gentlemen fits this season due to the inclusion of Rodney, Mina, Dorian and Edward. However, Anabelle also says she likes that movie enough for everyone else in the world, so we're covered.
2 comments:
Van Helsing is AWESOMELY AWESOME in every possible way, except one, and this has been my only complaint about this film since it's debut in the theater... it took entirely to long to get Hugh Jackman's shirt off. However I absolutely love both of these films.
Thanx for sharing, and being one of the people I brought to this. Sad news for you though. Hugh's butt almost appeared at the end when he transformed, but test audiences were so distracted by it they didn't notice Anna died. Therefore, he has digital shorts on.
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