I was busy dealing with
some other weird comic book news last week, which caused me to miss chiming in
about “The Death of Archie.”
That’s not too much of a
big deal, because there isn’t much to say.
My wife is the Archie
expert in the family, having a couple short boxes in the comic room, a few
thousand page specials laying about her reading piles, and several giant bins
full of digests in the attic.
It didn’t affect her
because the death happened in an alternate universe she wasn’t following.
That universe, and the
idea that there are multiple Archieverses, was covered on The Big Bang Theory, meaning that far more people than will ever
read this blog heard about it. However, for those that don’t know, stories were
published in a “What If” style with Archie Marrying Betty in one timeline and
Veronica in another. My Wife didn’t care
for the wedding stories and we didn’t buy Life
with Archie: The Married Life that followed both story strands. It was written by the Weekly World News’s Paul Kupperberg, which lead me to check out the
original stories in the first place.
Dilton was a scientist
in these tales who actively tracked the different time streams of the Archie
characters. The rest of the comic showed
the Riverdale Gang dealing with typical, adult, real world problems.
I do not read comic
books to see people dealing with typical, adult, real world problems. I read comic books for fantasy escapism from
my own typical, adult, real world problems.
That universe’s (or
those twin universes’) Archie died heroically saving newly elected senator (and
break out diversity character) Kevin Keller from an assassin. The aftermath issue just released ended the series.
I see the whole exercise
as if it were a Batman story about what happened after he gunned down a bunch
of street criminals with an Uzi. Just
like shooting bad guys to death would make Bruce Wayne no longer be Batman,
finally choosing Betty or Veronica would violate one of the main character
traits of Archie. That indecision isn’t
a Hamlet like character flaw in his case. He’s in high school; he shouldn’t
have to make a lifelong choice.
There was a “mature”
Archie title that I did enjoy, after hopping on the band wagon late.
I bought Afterlife with Archie as a goof to add
to my vacation reading pile. I was
expecting it to be an odd and silly mash up; similar to the famous 1994 Archie Meets the Punisher.
Instead I ended up with
the greatest horror comic I’ve ever seen.
Man, when they finally
dropped the Comics Code that Archie Comics pushed for all those years ago, they
dropped it well.
Afterlife
with Archie brought a
zombie apocalypse to Riverdale courtesy of writer Roberto
Aguirre-Sacasa
and artist Francesco Francavilla.
The two areas that made
it as amazing as it was were Planning and Execution
Planning:
The idea started with a
gag cover for Life with Archie number
23. (Drawn by Francavilla) This is opposed to other comic companies out there
who dove head first into the current popular zombie trend with giant
crossovers, or miniseries, ignoring the fact that in worlds where resurrection,
the undead, extra dimensional realms and most mythological beings were common
place, zombies shouldn’t be much of a big deal.
Archie started with one
image.
After a while of that
image festering, the story congealed into a tale where the zombies infected a
much more normal, perhaps idealized, world.
There are many
previously existing alternate Archie-verses.
However, a majority of them (the spy one, the superhero one, the cave
man one, the future one) are basically cookie cutter copies of the regular
characters and settings with a twist.
Afterlife
with Archie used more
realistic art, and a much darker setting.
They built that dark
setting starting from all the standard Archie components, though.
That brings up the
appropriately named-
Execution:
All the elements of a
standard Archie comic are here.
Archie’s loyalty to
friends and family inspiring him to go beyond his the freewheeling undependable
image he projects.
Betty and Veronica’s
constant competition covering over the fact they really are best friends.
The relationships,
bonds, and idiosyncrasies of all the characters.
There was even a
flashback to Lil’ Archie times to add
extra mileage to one of the most heroic, yet heartbreaking scenes in the yarn.
The source of the
problem itself also came from existing Archie continuity, as Riverdale has its
own supernatural resident- Sabrina the Teenaged Witch.
To prevent a simple
solution, she was removed from the tale early on, supplying the first truly
horrific scene.
The accuracy of the
Archie continuity is one of the key elements in making this a fantastic tale of
terror.
In any horror movie (or
book or comic) the writer has a few opening moments to attempt to get the
viewer (or reader) to care about the characters that are about to be put
through all manner of indescribable awfulness.
Archie started 1941, giving
Aguirre-Sacasa
over seventy years of caring about these characters to work on the readers. He certainly milked it for all it was
worth. In some cases it was tweaked to
darker areas but all of it was based on the history of the beloved characters,
as he proceeded to turn some of them into monstrous beasties!
That brings me what
might be a spoiler, except that it’s featured on the many covers of issue one,
and the pre series Issue 23 as well. (I’m sure the Illuminati had a hand in
that numbering.)
The first old friend turned
into a terrifying horror, was Jughead.
He’s probably my favorite character, but I’ve no qualms with the
decision, in fact it made perfect sense.
He’s the lightest and silliest
character in the Archieverse. His rapid
transition from tragic victim, to unstoppable flesh eating fiend was the
perfect way to set the tone for the rest of the series.
Other triumphs and
tragedies built from there, yielding adventure and terror that are well worth
experiencing for yourselves.
2 comments:
Sometimes it feels good to just be on the sidelines of life. I think I wouldn't know which way to run or recognize who was trying to tackle me if I stepped onto the field.
..multiple Archieverses... the mind boggles.
"Now my own suspicion is that the Universe is not only queerer than we suppose, but queerer than we can suppose." Haldane...or maybe Eddington.
I guess it goes double for Archieverses.
Thanx for sharing!
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