There have been a great
deal of teachers that influenced my career, lifestyle and personality over the
years of my education. However, as I was
coming up for ideas for the list of these posts, I kept going back to Mrs.
Windish, my grammar school music teacher.
The reason I do, is my
near daily discoveries of how much I learned in her once a week class without
realizing it, or trying to.
I am not, nor have I
ever been, a member of the singing people’s party.
Music Class was a necessary
evil, where we were required to go to Mrs. Windish’s room every week, sing some
songs out of random books while she led us on the piano, learn the obligatory
Ta-Ta-tee-tee-Ta drum beats, and occasionally listen to things like Peter and the Wolf.
Sadly, the “Bob theJanitor” free version.
What I failed to
recognize at the time was the insane depth and breadth of musical education I
was picking up at the time. Along with
the songs, in passing she’d throw in some historical context and related music
theory.
She snuck in learning
about and examples of traditional International songs from all over the world, hymns
and spirituals of various faiths (often secularized, or at least somewhat “De-Jesused”), Broadway show tunes, Movie soundtracks from across they years, historical
folk songs, popular music from multiple decades and God knows what else. My bucket like head of random retentions
filed them and their back stories away without me knowing.
Fast forward to my adult
life, and I constantly find myself full of piles of information, plus the full
melody and lyrics, upon hearing a song that makes me say, “Why do I know this
piece of music?”
The answer is invariably
Mrs. Windish’s class.
And that’s not counting
knowing dances like the Hora and the Alley Cat.
Granted, there has yet
to be an occasion where that came in handy.
Aside: Thanks to the old bucket. I was the only apparent resource who
remembered the “Riverview Fight Song” she wrote in the Sixties and was still
using when I attended. I had to (poorly)
sing it into my smartphone for the current music teacher to hear the equal
parts Ivy League and Vaudeville inspired ditty.
The biggest problem, aside from sucking at vocal performances, was not
singing the parody lyrics my friend and I wrote forty years ago. I guess I haven’t changed much.
She also ran the Chorus,
which kids could sign up for in fifth and sixth grade. Working with the band director, she put on
the Spring Concert.
The Christmas Concert
was all her, however.
(And, yes, I am ancient
enough that it was not called the Winter Concert when I first encountered it.)
I was on stage from
kindergarten through fourth grade but didn’t get to see the full scope until my
last two years at Riverview.
Actually, there was one
year the show didn’t go on.
My class was due to
perform “Rubber Ducky,” wearing towels over bathing suits, and my best friend’s
class got “How Much is that Doggie in the Window” with an overbearing amount of
butt wiggling for the “waggily tail” portion.
No wonder we wrote that
parody.
I was fully prepared to
lock myself in the bathroom the night of the show. Fortunately, my friend and I caused a series
of monster snowstorms into existence of such magnitude through sheer willpower that
the show was cancelled and never rescheduled.
In fifth and sixth grade
I found myself on the stage crew for the Christmas Concert.
I am convinced the
selection process for Garret and I was:
“You’re the two tallest
guys not in chorus.”
Considering he was a
complete football jock guy, and I was a total nerd, it’s astounding that we
worked together smoothly, cooperatively amiably, and without a hitch (or
hitchlessly to preserve parallelism) for both years. Especially considering my interactions with
him and some of his friends previous years in gym class and recess ranked
somewhere between “Advanced Pestering” and “Aggravated Assault.”
From behind the scenes,
I could see the magnitude of what Mrs. Windish pulled off every year.
The easy part was the
Chorale performances.
The fifth and sixth
grade chorus had their numbers, and the entire fourth grade was drafted into a separate
chorus, to allow everyone to experience it and see if it was to their liking.
Unlikely though it
seems, directing and leading a stage full of unwilling ten year olds in song
was included in the easy part.
All of the younger
classes…
Not grades…classes,
Had their own song, with
choreography, and sometimes backdrops and props provided by the equally amazing
art teacher Mrs. Kelly.
The only accompaniment
was Mrs. Windish banging out the notes with incredible skill whatever musical
style was needed on her piano. This held true for the spring chorus concerts
and Music Class in general.
Working backstage and
seeing the whole thing, I learned she usually worked with a theme.
This tended to be more
connected to the interstitials (that she also set up) in front of the curtain
between the main acts. They were short
sketches or songs by the more performance aligned and able individuals.
Mrs. Windish would also
pull in an adult to help for the finale that would tie to the theme.
The first year I was on
lights, she had a student’s mother with local theater experience play Miss
Hannigan to do selections from Annie. Normally I would have been in convulsions due
to a storyline that has only Little House
on the Prairie as a rival for little sisters annoying their brothers
with. However, a combination of the
production values and a massive crush on the girl who sang “Maybe” in an interstitial, who had to wait backstage with us before her melodious performance, lightened my mood considerably.
The second year, it was
the night janitor (and son of the day janitor, who also gave us tutorials in
Dungeons and Dragons) using his college play experience to take the lead for
bits from Fiddler on the Roof.
A final tale in this bit
of recognition:
Working backstage got me
out of class here and there for rehearsals.
Not nearly as often or
pointlessly as my Wrinkle in Time parody,
but you can’t have everything.
I got down early to the
aptly named “All Purpose Room” used for Gym, Lunch, Performances, Fundraisers
the occasional Cattle Stampede…whatever.
As I entered, I had the privilege
of attending an unplanned and jaw droppingly stunning concert.
Wes, the day janitor,
was sweeping up, and Mrs. Kelly was putting some finishing touches on the stage
decorations.
Wes started humming and
snapping his fingers goofing around with the broom while Mrs. Kelly walked up
to the microphone and began some Walter level virtuoso whistling.
Mrs. Windish didn’t miss
a beat, and tore into the piano keys like a woman possessed.
It was mind blowing to
see her already impressive playing ability leap up several quantum levels when
completely unencumbered by talentless and resistant children such as myself.
Based on those skills, her
pulling off a phenomenal show year after year built out of mostly unwilling
participants, and giving me a massively useful in later years, in depth musical
education against my will at the time, this Teacher Tribute salutes you Mrs.
Windish.
2 comments:
Funny how we remember things a Music teacher can teach us that might not be related to Music. I remember my Art teacher asking us to draw a picture of two Boxers in the ring. Then she went on for 5 minutes telling us about how the Spartans and Athenians were the first known Warriors who fought in a circle drawn on the dirt. Last man standing won. I wanted to ask her how did it go from a circle in the dirt to a square but I didn't. Now I would ask why is the ring square and still called the "Ring?" Oh well. Nice story Jeff and as always ... wonderfully written.
Thanx for reading and sharing. The best teachers usually give us lessons far outside the class description.
I think you answered your own question on why it's called a ring (starting as a circle on the ground)
My guess is hanging the ropes made it go to a square, with the "ring" circle drawn inside that was eventually discontinued.
Thanx for also reminding me I'm probably overdue for a boxing post.
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