This
post contains bad, foul, filthy and unacceptable language - the words that
“will curve your spine, grow hair on your hands and maybe, even bring us, God
help us, peace without honor.”
This
is not a post for children. Kids, take a
hike.
This
is also not a post for those adults who are offended by this type of
language. Do yourself a favor, and go
read some of my cute stuff before moral outrage can kick in.
End
of Warning.
After a pointless pause of a week, we now return to the top half of the list of George Awards for the
use of “the finger” in a motion picture.
Hey, even I need to
sleep sometimes.
As a reminder to how
important this gesture is, I cite the amazing sense of peace and relief
flipping the bird to an uncooperative computer, a non-complying DVR, or a
completed telemarketing phone call can generate, even though the recipient is
incapable of registering the gesture.
Speed
Racer (2008) is a hypnotic
film fueled by pure, adrenaline soaked awesome. A fair amount of the awesome comes from Paulie
Litt’s explosively over the top performance as Spridel. He spends much of the movie in a complete, sugar rush
induced panic. However, the 5th
place George goes to his moment of clarity and focus distilled into his single fingered
farewell as he’s forced into an elevator with Chim Chim (Kenzie or Willie) and
Speed (Emil Hirsch). It is the truest
way to create a picture worth well over a thousand words that sums up the Racer
family’s (and audience’s) opinion of the corrupt, false faced, and
ultimately evil corporate executive E.P. Arnold Royalton (Roger Allam).
Some individuals may be
surprised by the sheer number of entries on this list coming from critically
panned movies that I find awesome. Those
individuals have clearly not been paying attention to any movie write up I’ve
done in my entire life. The number 4 spot is from yet another one of these
“McGinley Classics:” 2007’s Ghost Rider.
It’s not just run of the
mill awesome, but computer generated, Nicholas Cage inspired, fire sheathed
skeletal awesome as the titular hero lets the band of well meaning, but
ineffective law enforcement officers know what he thinks of their plans to
hinder his quest for vengeance after leaping off a bridge and rising from
beneath the river, before driving off atop the water of said river.
Further continuing the
personal awesome movie moments trend:
The original Cannonball Run (1981) introduced then
eleven year old me to half a dozen awesome and iconic cinema elements:
Dom Deluise’s
fearlessness in comedy
Fight scenes with Jackie
Chan and a Biker Gang
A Lamborghini car chase
Roger Moore’s sense of
self parody
Adrianne Barbeau
However, it is the 1984
sequel, featuring the final film appearance of the Rat Pack, which garners the
3rd place George Award. None of Frank’s boys were involved in the
winning double bird moment. That honor goes to an orangutan and a feisty old
lady. The fact that this movie didn’t
win is an indication of the excessively higher levels of awesomeness contained in the top two.
The penultimate place is
yet another win for George Award favorite Rowdy Roddy Piper in John Carpenter's1988 mix of a cerebral thriller about subliminal control, and professional
wrestling: They Live.
Piper’s nameless
character uses the finger in his dying moments to let the aliens and their
coconspirators know what they can go do with themselves before he (literally)
blows their cover.
And so we’ve come to
First Place Finger George Award. The
winner is almost exclusively just the finger.
Held aloft by the disembodied hand of the man it’s flipping off,
Bruuuuuuuce!
The prize goes to the Greatest Film in the History of Cinema – 1987’s Evil Dead 2: Dead By Dawn.
Bruuuuuuuce!
The prize goes to the Greatest Film in the History of Cinema – 1987’s Evil Dead 2: Dead By Dawn.
Once more, thank you all
for playing. Don’t forget to come back,
as I’m sure there will be more damn George Awards sometime in the future.
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